Habib ZOUINEKH

 

My plastic experience is based on an attempt to extrapolate the aesthetic and plastic characteristics of the local artistic heritage in Tunisia, in order to establish a contemporary artistic experience in the areas of ceramic and painting. This experience translates my self-vision in the interpretation of this reference formally by identifying its specific conceptual elaborations related to a spiritual field. 

This artistic framework within the domain of meaning and significance frames a connection with the supreme beauty and an penetration into the essence and absolute within the binaries of the visible and the invisible, the soul and matter, the heavenly and the earthly. In this context, I worked on research to find possible intersections between this heritage and various international experiences and techniques in order to root the artistic practice and find a creative, self-perception out of the ordinary.