Muhammad Waris
Within the space of a square frame, I try to build a world that is undeniably separate from the one we live in. What fascinates me about any artistic medium is that it can pull the viewer out of a logical and common world, and place them within a space that is more alive. When I use a square frame, I hope that the viewer will forget that they are looking at a painting and instead see an alternate reality, one that mixes painterly qualities with surrealism and fantasy. Why focus on what the artistic medium is when the subject and concept are pulling us deeper and deeper into a world that allows us to escape our reality in exchange for a fantasy? It is my goal in photography to make beautiful that which others find disturbing, to take a simple concept (be it birth, death, or something in between – life) and mold it into something complex and magnetic. My art works are meant to be read and analysed. Symbolism is abundant in them, for what makes an intricate story if not visuals that mean one thing but stand for another? I explore religious and spiritual concepts and meaning through my Quranic Calligraphy.Our world is not so different than the disturbing worlds I create within my frames. I argue that my Quranic paintings are even more representational of life because they contain feelings and emotions that resonate with the viewers. Sometimes life does not have to be artified according to reality; instead, why not explore the depths of the mind and soul and reach for something deeper than the reality that plagues us and traps us daily? I add texture to them to give a feeling of grime and age, thus giving the ppaintings a timeless feeling. I often play with the tones so that the subject is highlighted and the scenery falls away in to slight desaturation and abandonment. The real crux of my art is portraiture; it is capturing the emotion of a single instance in a life. Certainly, they are all staged and planned and scrutinized over, but they all hold some sort of dramatized emotion (a real emotion, almost unbearable to feel) that resonates with the viewer. I want my imagery to move beyond the realm of art and instead mimic paintings and alternate styles of art. I am not in love with any particular medium of art as much as I am in love with visually representing the stories I have in my mind. It is this painterly quality that I emulate, such as the use of brush strokes over my canvas, that I think gives my work a unique touch. There is a particular feeling to all of my art pieces, one that touches on the juxtaposition of the real yet surreal, a fantasy and a dream yet riddled with reality.